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"Tiny Victories 2.0." A Tale of Empathy
Gustavo Bernal
USA
“Tiny Victories 2.0. A Tale of Empathy” tells the story of Chioco Design's team journey when building a micro home for an individual who has struggled with chronic and sustained homelessness. How organizations like AIA Design Voice and Mobile Loaves & Fishes works timely to offer hope for the community. The word “empathy” serves as a prompt in the development, and execution, but mostly the idea of leaving behind preconceptions of what it is like to live without a home. Director/Editor Gus Bernal www.gusbernal.com Producer: Alexandra Chaves & Gus Bernal Music: www.hooksounds.com Special Thanks to: Chioco Design Jamie Chioco, Christy Taylor, Ben Dimmitt, Vanessa Francis, Tim Petersen, Mau Garza and May Wong Page/ - Design, Architecture, Engineering Shelby Blessing, Wendy Dunnam Tita & Jen Bussinger Mobile Loaves & Fishes Sarah Satterlee Photos Chioco Design - Tiny Victories: Leonid Furmansky AIA Austin DesignVoice: Jason John Paul Haskins & Sarah Satterlee
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MuBE - Paulo Mendes da Rocha
MuBE portrays the “Museu Brasileiro da Escultura” built in 1987 by the Architect Paulo Mendes da Rocha. The short movie invites the spectator for a slow journey through the museum, enlightening the relation among the building, the cityscape and the nature, blurring the boundaries between private and public space. His attitude towards architecture was not just to make aesthetic and solitary architecture, but first of all he strived to change the thinking of the people, living, visiting or working in his buildings. In his architecture, rooms act like public spaces, where no divisions and privacy nor segregation take place. People are forced to interact and live together. In his mind, a house should not be more than a place to sleep. And all the rest of the functions are happening in the city itself. MuBE was designed as an introverted, restrained building, carved into stone, it does evolve all the necessary functions in the subterranean layers of São Paulo without disturbing the visual aspect of the surrounding landscape. The portico, the roof over the communal spaces, shelters sculptures and visitors from rain and sunlight, like a stone in the sky. The short movie emphasizes the stone in the sky, through the infinite palette of degradation, weathering patinas and the ever aging construction materials in opposition to contemporary forms of fast architecture and unsustainable resources. Paulo Mendes da Rocha's architecture transcends time and social limits of an inhospitable and inhuman society. Through the use of materials in their most legitimate aspects, Brutalism reveals itself in essence, thus echoing the meaning of architecture: to develop spaces that link city and people.