The film is about the milk that gold and other ore mining companies distribute to employees to protect their health.

Every day, we see different urban spaces around us; some are where we live, while others are work areas or streets that we frequently walk or pass by. I grew up in Tbilisi, and my home is near the most famous bazaar in Tbilisi, called the Deserter's Bazaar. It's the most chaotic, noisy, and filthy place I’ve ever been. Public spaces are areas where different people meet each other for different purposes. The bazaar is one of the strangest examples of public space and relations. The people who are here every day at work are boxing everything as much as possible. My main character is space itself, which we see in the first scene. The area really looks like an ocean, but inside the bazaar, people are boxing the spaces. Everything is boxed, like the fruits, vegetables, meat, eggs, and even the fresh fish are boxed in glass boxes.

In an increasingly digitised age, how can we bring inclusivity into spatial designs and how can individuals represent themselves in such spaces? This exhibit is showcasing the co-creations by citizens and architects - the "Volumetric Cinema" workshop openly invited more than 30 participants from all walks of life to co-learn Artificial Intelligence (AI) and 3D Extended Reality (XR) technologies, and generated five microcinema of urban landscapes in three weeks. Taught by seven international and interdisciplinary instructors, who toured participants around old districts of Hong Kong, interacted with residents, and studied urban redevelopment from the perspectives of inhabitants to jointly reflect on the multiplicity of our urban future(s). At the Mid-Autumn Festival, the workshop held a premiere event and community review, inviting residents to participate in interactive games and discuss the results of the workshop, and spent a warm and meaningful holiday together.