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The Darkness in the Light
Rana Ahmadova
Azerbaijan
A young woman experiencing the city by night, in a game of lights which expand her senses and her fear of walking alone.
Urban Planning
Public Space
gender
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Film Mosaic ·
United Kingdom
Wilderness St, Ilford
Ilford is a diverse and growing neighbourhood of London. Access to green and public spaces in the heart of Ilford however, is greatly compromised. According to the English Indices of Multiple Deprivation, it features amongst the 10% most deprived areas for access to high quality local living environment. Wilderness Street is a temporary living urban landscape which was installed in Oakfield Road in Ilford in 2022, launching the town centre as a cultural destination at London's north-eastern fringe. Before large-scale urbanisation started from the C19, the Ilford, Barkingside and Hainault area was characterised by forests, fields and meadows. Our design strategy seeks to temporarily revive these lost landscapes. We have selected Uphall Camp Beacon, the former Royal Forest of Hainault and the Essex Grazing Marshes as blueprints for plant species and landscape character to be replicated by our proposal for Oakfield Road. The project advocates for the preservation of ancient natural landscapes and their role in maintaining biodiversity and supporting well-being. The legacy strategy will see all planting including trees and shrubs given away to community organisations and Ilford residents at the end of the project. Enticing local people to adopt the plants will see elements of the ancient Essex landscape re-instated in public places in Ilford, in peoples gardens, front gardens, planters and allotments.
Film Mosaic ·
Russia
Current: Urban Inclusivity in the Attention Economy
Attention economy is the largest and most disruptive innovation in both the information and in marketing. Smart homes are ubiquitous, connected devices that enable people to monitor, and that which is exploited by a large number of people. Attention economy is, therefore, revealed in the transformation of the public sphere into a panorama of relationships of things, of affects, of intentions. The singular constellation of social relations is the ‘state of Things’. It is also, in a way, a mode of production, which throws light on and gives expression to the intensities of this social process and appears in it a kind of objectivity and a mode of definition so that the political process may more appropriately be regarded as a kind of activity. A space is thus less a specific place or a general archetype of entities, and more a particular constellation of relations and a particular object. A space is thus, one in which, what is stored in the ‘actual’ is also what can be transformed into a modulating effect of that, and the inclusivity of the non-human perspective, be it nature or machine.