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Mother Arkah
Andreas Palfinger
Austria
Mother Arkah A Filmic Allegory on the Rise and Fall of Ideologies ‘Mother Arkah’ is an 18-minute animated short film exploring a speculative climate-apocalypse scenario and the hypothesis of the posthumanist ideology ‘Bio-Technoism’. The project investigates concepts on prohibiting the ‘religion of growth’, future power structures shaped within the ‘Posthuman Convergence’, AI-driven symbiogenetic evolution and autopoietic architectures. The film serves as an allegory on mechanisms behind political belief systems, while posing questions about how deep the ‘urge for innovation’ is rooted within us humans and therefore how much humanness our planet can take. The virtual film production is executed in Unreal Engine 5. Media: Film, Sculpture, Publication — Info: for this competition I'm submitting the 1-Minute version to the whole film.
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Albania
Marjana therras
A short film created as a spontaneous action of inclusion of a local taxi driver into the conversation of foreign passengers, three friends. Although we didn’t speak the same language as him, in this short moment in time we let the music he likes become our way of silent communication with him. ‘Marjana therras’ is a personal, poetic view of Tirana, where different simultaneous scenes in a symbolic try to evoke different emotions; scenes of old photographs and bucolic nostalgia, contrasted by estranged people on the streets looking at their phones. While I was staying in Tirana I had a strong feeling of empathy towards older, local people. I saw that often they don’t speak any foreign languages, while at the same time, because of economic challenges Albanian people face they are “forced to” work with tourists. As Tirana is rapidly growing and changing, the city center is full of foreigners, both investors and tourists. Local people don’t take a taxi — they take a bus or they drive a taxi. Local people often don’t go out to eat in restaurants — the eat at home or they work in restaurants. Economic differences between local people and foreigners are felt in all areas of life. In Tirana, I had a strong feeling that local people from Tirana often feel as second-grade citizens in their own city, “occupied” by English-speaking foreigners, surrounded by fancy shops and restaurants, which they, local people — can’t afford. This short film is a documentation of one humble effort of trying to make a local taxi driver feel like he’s at home in his own city, by a simple act of showing an interest in his culture through his own personal — music playlist.