The assumption that all people are able to actualize the rights, benefits, and responsibilities of citizenship within the built environment is misleading. African Americans’ ownership of property and use of public space for personal enjoyment has been historically perceived as transgressive behavior, and often met with punitive legal action, violence, and, at times, death. Given this context, the ability of African Americans to successfully navigate and shape the physical spaces within their lives has amounted to de facto survival strategies. Addressing this fraught social-spatial condition and its impact at the scale of the citizen, Thrival Geographies (In My Mind I See a Line), an intervention in the courtyard of the US Pavilion, is rooted in the historical spatial practices of African Americans, yet speculates upon new spatial strategies that support the most precarious of populations. We foreground these practices as manifestations of civic agency and freedom that move all citizens beyond mere survival toward thrival and full participation in the democratic ideal.

In the heart of Johannesburg opened in 2019 the Holocaust & Genocide Centre, which attempts to educate the contexts and patterns of genocides to students and other groups. This idea is transportated through it's inspiring architecture and the multitude od supporters and volunteers such as survivors.

The film addresses the struggles of queer artists due to the ongoing oppression and phobia against LGBTI+ youth. The situation in the country leaves many with mental health problems and generally adds up to the lack of motivation that has been there due to the lack of financial and moral resources. Increasing hate crimes against the community threaten many young people and shrinking public safe spaces leave LGBTI+s behind. The film is a self-protest against the ongoing situation and addresses the poor realities of the country regarding queers.