The film explores where the boundaries of inclusive design are and how they can be further extended by setting pre-determined barriers. The project fictionalises the story of a traveler without knees and how he lives in a modern city. In the process of social discipline, it is a necessary thing to deconstruct the single-mindedness and wishful thinking of the designers in a playful way. In the process of making the film, I tried to identify similarities in the symbolic forms of everyday life and intertwined them with ''poor images'' to examine the tiny narratives of fragmentation and chatter from the position of a spectator.